Dear reader, welcome to our spring/summer 2026 issue. This issue marks a milestone for our literary journal as we celebrate 10 years (2016-2026) of continuous publishing, and we could not have done it without the community of artists writers and readers we have had the pleasure of working with since our initial launch in 2016. This journal has been a true labor of love as we have done it with very few resources outside of our own contributions for website maintenance and we work with no staff except us two founding editors.
In this issue we are delighted to share the work of D. J. Wright, (Chicago, Illinois,) James Daniello Jr (Palm Springs, California,) Johnathan Lay, (New York, NY,) Reza Ghahremanzadeh, (Northern Ireland,) Barefoot Cajun, (Louisiana,) Travis J. Black, (Detroit, MI,) Tadgh Dolan, (Dublin, Ireland,) Bjorn Hansen, (New York, NY,) Mark Farrel, (Dublin, Ireland,) and C. Show hailing from central Arkansas.
We are also pleased to introduce a section on vintage queer erotica now in the public domain. Our first offering "The Sins of the Cities of the Plain; or, The Recollections of a Mary-Ann" by Saul is a work of pornographic literature published in 1881. It purports to be the memoirs of Jack Saul, a young male prostitute working in Victorian London. The narrative follows Saul as he recounts his life story and experiences to a gentleman named Mr. Chambon. The book includes encounters with real historical figures, including the notorious transvestites Boulton and Park, blending possible authentic details with elaborated fiction in this early example of exclusively homosexual erotica. (Source; project Gutenberg)
We are also thrilled to feature the work of several visual artists and photographers; Ricky Cohete, (Miami Florida,) David Gremand, Victor Velez, Rufus Krieger, Imanol Luquin & Manolo Yanes.
Entrelazados, 20x30 inches, 2026. Ricky Cohete.
Miami-based photographer Ricky Cohete has mastered the male form, reviving the composition and grace that was once reserved to ancient Greek sculptors. The self-taught artist first approached the medium by shooting Miami’s ballet dancers outside of their “safe” and familiar rehearsal spaces. From that point on, Cohete cultivated a unique aesthetic, playing with the multiple iterations of the male form. In a work like Men and Boots, he uses both feminine and masculine energies to offer a unique perspective on gender roles and how they shape our identity.
The Taste of Fossils
You changed with the others out of much-loved personas
into boots more fitting for the dunes
I lie about a piss—Go on ahead, I’ll catch up soon.
I went back to the car, to admire your big Arizonas.
These stand-ins for your body,
what they do to me.
#1—the leather and sweat smell.
#2—the weather taste, the swell.
The cork still warm, fossil of his shape
I lick what the sun never sees
My tongue all over this imprint of you,
size twelve and a half slumping sleaze.
Soon, your voice across the sand—
…calling out my name.
Yeah, I say, myself in my hand—
I’m coming…
I’m coming.
Nobler Pursuits
Zeus
no doubt
wore Brioni suits.
Priapus—
in his nobler pursuits,
lived in gray sweatpants.
Shadows
clinging to
what even
faith
cannot hide.
When a man chooses
gray sweatpants,
what he says
without needing to try:
You’re a slut—
and I’m here
to remind you why.
James Daniello Jr (he/him) is a writer based in Palm Springs, California, where he lives with his husband. He is at work on a novel. You can find out more about James @ www.jamesdaniellojr.com
The Flesh Movement Project 7, 208 × 117 cm, Medium: Digital drawing (archival pigment print), 2026, Rufus Krieger.
Rufus Krieger is the artist behind SacredFlesh. His digital paintings investigate queer male desire in all its vulnerable, powerful and explicitly sexual forms. Website SacredFlesh, www.sacredflesh.com.
Wrung
“Is my dad gonna have to call The Warden again? This is ridiculous…you’re eighteen
now. A literal adult.” Al snickered
“Nah, we’re good. I think last time did the trick.”
Shawn Thomas’ grandmother very literally believed that “nuthin’ Godly happens after
midnight”. His only salvation lay in the fact that she still thought Al was a guy. Having only
heard her voice - smoky beyond its years - on the phone, Shawn’s guardian had no idea that Al
was short for Alexandra. She was distrustful of virtually all of the “fast-ass rich kids” that Shawn
went to school with, but for some reason, his grandmother had a soft spot for Al.
“He’s so polite on the phone,” she’d always say.
Over time, Shawn and his grandmother had come to the uneasy agreement that, if Shawn ever wanted to stay out past midnight, he could sleep over at Al’s. As long as a parent was going to be home. And Mr. Harris was going to be home that night. Technically.
When they were still married, Al’s mom talked her dad into buying the then-vacant studio
apartment next door. The plan was that she would use it as the office from which she’d run an
interior decorating business. But, after having told anyone who would listen about how much of
a “lifelong dream” it was, she wound up abandoning the idea before the ink was dry on the
closing documents. After the divorce, Al slowly claimed the empty unit as her own. Meanwhile,
Mr. Harris puttered around in his pre-war classic six, oblivious to the madness often unfolding
next door.
By midnight, Shawn was restless, drunk and claustrophobic. As freshman, cramming into
Al’s place and getting hammered had been fun. But, after nearly four years, trying not to puke
while downing another Bartles & amp; Jaymes had gotten old. As had being the only guy in
attendance. While his friends never used The Word in his presence, he’d already heard some
variation of “I love you ‘cause you’re just like a girlfriend, but like, a guy” four times that
night.
Shawn surprised himself when, almost reflexively, he declined to go out, in favor of just
being able to chill in “Al’s” apartment. But what usually sounded like fun just seemed dreadfully
exhausting tonight. After the girls left, Shawn lay on Al’s futon for what seemed like hours but
was actually the entirety of two car alarm cycles. The car alarm eventually stopped, but there was
still something wailing in the background. It sounded like muffled screaming, but also like
sobbing. Shawn pressed his ear against every wall of the room until he located the source of the
sound: Al’s father’s apartment.
Excited by the prospect of possibly catching Mr. Harris in the middle of an American
Psycho-style murder, or just raiding his bar, Shawn closed the door to Al’s behind him. Mr.
Harris’ apartment was unlocked, like always. The lights were off, rendering the Basquiat hanging
in the entryway all the more terrifying. It looked like something Freddy Krueger would have
done in art school. Shawn was tiptoeing towards the formal dining room, where the most
well-stocked of the Harris' bar was kept, when he heard the sound again. Except it wasn’t
someone crying out for help, or sobbing. It was moaning. Specifically, the moaning of a woman
in carnal ecstasy. “Fuck me, fuck me hard with that big fucking cock,” she growled. The noise
was coming from the small room right off the kitchen that used to be Al’s, before she moved next door.
Mr. Harris was watching a porno. Recently described by Spy magazine as “the disarmingly
schlubby Marty Harris”, he had a reputation for never speaking above a croaky whisper and
eschewing the limelight so many of his peers courted. He’d grown up the son of a plumber, and
worked his way up from the mailroom at one of the major networks. From Shawn’s perspective,
he always seemed more of a ghost than a parent. Mr. Harris always seemed to be plotting an exit
whenever any of his daughter’s friends - or, for that matter, his daughter - entered the room.
The only light in the room was emanating from a small television which, along with a
VCR was resting on a metal shelf in the corner. Mr. Harris was hunched over, sitting on the only
other piece of furniture in the room, a small daybed. His slacks were bunched down by his
ankles, along with his white BVDs. Shawn listened to the rhythmic squeaking of the mattress
springs as the woman, young, blonde and big-titted, continued to plead for more.
“Hey, Mr. Harris...,” began Shawn, as he knocked against the doorframe.
“Who’s there?” asked the small man, as he frantically searched for the remote.
“It’s um...Shawn.”
“Who?” he asked again, finally managing to turn off the television - rendering the room
completely dark - but seemingly forgetting that he was naked from the waist down.
“Shawn Thompson,” he clarified. “Al’s friend.”
“Oh, the bl...the, the um...guy,” Mr. Harris bumbled.
“Yeah,” confirmed Shawn, as an ugly feeling started to boil within him.
A sliver of moonlight unveiled the nearest light switch. He flipped it on and entered the tiny
Room. Marty Harris looked like he wanted to erase himself off the face of the Earth. His
expression was somewhere between a trapped ferret and a dog caught shitting on the carpet. His
entire body was pink with embarrassment and his dick, hastily tucked, in vain, between two shirt
buttons were fire engine red.
“Did you need something?” Marty squeaked, breaking the silence.
Shawn started to reply when he noticed that his friend’s father’s eyes were locked on his
crotch. The head of Shawn’s cock was clearly visible, plastered against his right thigh.
Everything stopped, and Shawn could feel his heartbeat in his groin.
“Yeah, I did,” Shawn answered, bracing himself against the wall.
“What’s that?” Marty asked, eyes still locked on the outline of his daughter’s friend’s
cock. “I need you…to stand up.” After the words tumbled out of his mouth, it took all the
energy he could muster for Shawn to not pass out.
“What?”
“You need...you should....I’d...I’d like...”
Marty scowled. “I don’t...don’t be ridic...”
Shawn unzipped his Levi’s and freed himself from his pants. Marty gasped, never
breaking his gaze. “What do you think you’re doing?” asked Marty.
“Touch it,” Shawn commanded, taking the couple of steps necessary to ensure he was
standing directly in front of Marty. His dick was mere inches away from the man’s face.
“Touch it,” Shawn repeated, as he reached down and grabbed one of Marty’s pudgy
hands. Marty’s mouth remained agape as Shawn wrapped the man’s fingers around himself.
“Wow” was all Marty said before he took most of Shawn into his mouth. The warmth of
the man’s mouth, and the sight of his pink, full lips sucking on his dark brown flesh made
Shawn’s eyes roll into the back of his head.
Shawn pulled himself out of Marty’s mouth and set about unbuttoning the man’s shirt.
Marty was virtually barren of any hair, save for some sprigs around his silver dollar nipples and a
wisp of pubes. He cried out in what sounded like pain when Shawn finally freed his small, hard
prick. It jerked wildly upon its release, as Mr. Harris wildly thrust his hips into the air, desperate
for friction.
Shawn pulled Marty close to him and felt the warmth and pressure of the older man’s
body against his erection. A pearly chain still connected them once Shawn stepped away. He got
down on his knees. “Very good, oooh...very good,” was all Marty could say, as he was getting
blown. It was a rousing review that only further fueled Shawn’s efforts. Marty’s prick was no
bigger than Shawn’s thumb but what it lacked in size it more than made up for in rigidity.
“Oh fuck, I’m gonna cum,” Marty realized, out loud. And with that, he sat up so that his
cock was roughly level with Shawn’s face. Shawn crouched down further to bring the tiny man’s
cock more level with his head. “Shoot it. Shoot it on my face,” pleaded Shawn, in utter disbelief
at the words leaving his mouth. And with that Martin Harris finally let go. He said nothing as he
came, just panted like a thirsty hound. The splashes of warmth were audible as they hit Shawn.
Once he was done, Marty collapsed back onto the daybed, completely spent. “My turn,” Shawn
announced, as he sprang to his feet. His load was more of a thick ooze than Marty’s powerful jets.
His legs gave way as soon as he was done and he collapsed back onto the daybed.
Then they just sat there, each of their faces glistening with the other’s lust. Shawn
liked that he could smell himself on Marty, so he leaned in towards him. He didn’t withdraw
when Marty guided his head all the way onto his pudgy shoulder.
D. J. Wright hails from Chicago, which he finally feels comfortable claiming as “home” after arriving, rather by mistake, twenty years ago. A sober gay man, he is interested in exploring the parts of himself – ourselves? – that he used to numb. This is his first published piece of erotica.
"Carte de Visit “ Mixed Media on Paper, 13x13 in, 2025, Imanol Luquin
Imanol Luquin is a multidisciplinary artist from Mexico City, where he attended Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda. His work fuses symbolism, texture, and dreamlike imagery to explore the realms of the unconscious and the sacred. Deeply influenced by Mexican votive traditions—particularly ex-votos—his compositions function as psychological altars: spaces where suffering and transcendence coexist, and where symbols become offerings of reconciliation between matter and spirit. Through layered materials and intuitive visual language, Luquin creates immersive environments that invite contemplation, healing, and encounters with the unseen.
ORPHEUS AND CALAIS VIII (Heroic Friends Series), 30x40cm, 2017-2018, Acrylic on gessoed paper, Manolo Yanes.
MISSING YOU-VI, 30x40cm, 2016-2017, Graphite pencil and ink on paper, Manolo Yanes.
Manolo Yanes is a Spanish artist born in 1957 (Tenerife, Canary Islands). He studied at the School of Fine Arts in Santa Cruz de Tenerife and has a degree in Art History from the University of La Laguna (ULL), Tenerife. Lives and works in France and Spain. He has held group and individual exhibitions in various countries: Spain, France, Belgium, Italy, U.S.A. and his works are in private collections in Europe, America and South Africa.
The male nude is a fundamental element in his work, frequently integrated into more diverse compositions, often symbolic and inspired by mythology. In recent years his work more specifically focused on the male nude has been brought together under the concept "MASCULUM: The Male Nude Project", mainly disseminated through social networks and various publications.
SOCIAL MEDIA
https://www.facebook.com/manolo.yanes.5/, https://www.facebook.com/profile.php?id=100063362431495, https://www.facebook.com/myanesdigitalworks/, https://www.facebook.com/masculum.arte.manolo.yanes/, https://www.facebook.com/profile.php?id=61571630648633
The Picnic
Off to the meadow they go.
No longer boys...but not quite men.
Moys ?
A basket full of unforbidden fruit.
A bottle of cheap wine.
A periwinkle blanket.
A sensual Sunday at their “secret Sodomite spot”.
Baguettes in their hands.
Baguettes in their trousers.
Summer’s zenith.
A Monet painting comes to life.
Demeter and Persephone as fag hags.
Flaxen pubes on one; chocolate-coloured on the other.
Before they make love, the blonde one winks at the sky.
It’s a wink that says, “I hope you enjoy the show, God.”
Wintering With You
In the snow
We built memories, not snowmen.
Afterwards, we’d retreat inside.
Nude hibernation.
I was happy to warm your blue.
And even though we knew nothing would grow,
we planted seeds anyway.
Reza Ghahremanzadeh is a Queen's University Belfast graduate and poet living in Northern Ireland. His poetry has been published in a variety of poetry magazines and journals, including: Borderlands: Texas Poetry Review, The California Quarterly, Confluence, Contemporary Literary Review India, Dream Catcher, Rough Diamond, The French Literary Review, The Seventh Quarry, The Underground Literary Journal, The Yellow Nib and Nomad's Choir Poetry Journal. He has also self-published a volume of poetry entitled Neon Residue.
From A Body Remains, Digital photography, Year: 2025, MisterBurris.
Series statement: In A Body Remains, Skip moves through an abandoned structure. The site carries traces of former purpose, now reduced to peeling walls and fractured light. Against that backdrop, Skip’s presence becomes the stabilizing force—an anchor of intention inside a structure losing its shape. The final images, selected by Skip himself, highlight moments where his body answers the environment rather than dominates it. What results is a collaboration between subject, photographer, and place: a record of vulnerability shaped by choice.
Misterburris Photography is the work of Christopher Burris, a digital photographer with a visual disability. He is also an educator, theater director, and writer. His work explores questions of identity, intimacy, and representation. His photography has appeared in American Theatre, Twisted Male, GoNaked, and on the cover of Ladybrille. Website: https://allmylinks.com/misterburrisp
From A Body Remains, Digital photography, Year: 2025, MisterBurris.
From A Body Remains, Digital photography, Year: 2025, MisterBurris.
Leeander and Lilikoi, mid morning rain on a tin roof
Upstairs he lied upon the antique bed atop a feather mattress
Reminding him of days of his youth where he sank into the goose down feathers that at times
poked him
He remembered that there was an old tattered quilt that had his name stitched onto the neck of a
pinto horse
That room, that bed, mawmaw’s house were safe havens for him
And now he and his lover shared the old Acadian style home with each other
His name was Leeander
His lover was named Lilikoi, from the island of Hawaii
They’d met while serving in the US army
After their tour the boys had come back to live on the Cajun prairie where Leeander had been
born and raised
After his mawmaw passed she left the house to him and Lilikoi
Keeping the integrity of the house, they’d done some much needed work and painted it the color
of passion fruit: yellow, red, purple and green
The boys now in their mid forties had a flair for art and decorating
They were passionately in love
Leeander was a painter of buildings
He’d become a muralist designing historic, funky, artistic designs on old and new buildings alike
Lilikoi dealt in antiques, mostly heavy, bulky items such as armoires, four poster beds and pie
safes with ornate marble tops Often the guys worked in tandem with clients
On this morning Leeander lied on his bed listening to the rain falling against the tin roof
reminding him of his happy childhood with his mawmaw
He wished Lilikoi was home with him
He lie there naked embracing the morning
He had drunk coffee, read some and completed a poem he had been nurturing
Spread eagle on his back Leeander filled up the bed, he was a big burly man, long hair, bearded,
massive muscled arms and legs, a man tool that was quite adequate and pencil eraser nipples that
sat upright sufficient to erase an exercise book from front to back
Leeander loved making love with Lilikoi, yet if he needed to in the absence of his lover he could
certainly create a hot time singularly
For these times the boys had installed a mirror that mirrored the whole of the bed attached to the
ceiling
And just as Leeander had worked the dough to rise, Lilikoi walked into the bedroom
So intense was Leeander in his own world with his own body moving slowly as first, caressing
essential parts of his body, moving to his maleness he began to sweat looking upwards at
himself, turning himself on, making painfully, beautifully sensual moans and groans of pleasure
Lilikoi had stripped inside of the door frame to the bedroom watching, loving and sensually
getting into the groove with his lover in parallel love-making They watched each other squirt as
their semen made arching rainbows intersecting each other in the sunlight cast upon the beauty
of the loving, passionate, sexual energy in the room
Afterwards they held each other and drifted off in sleep spooning each other while listening to
the rain on the tin roof
Barefoot Cajun writes each day on the Cajun Prairie, mostly barefoot. He is inspired by daily treks on the Prairie to rice, soybean fields, crawfish Ponds and Bayous. Barefoot is a naturalist inspired by animals and the natural outdoors. He writes about outliers and marginalized individuals. Also writes poetry and gay romance shorts set in the 1960’s. Barefoot speaks Cajun French. The flat South Louisiana Prairie is his Happy Place! Laissez le bon temps rouler!, ((Let the good times roll!)
Euryalus and Nisus / Close up, 20x30 in, 2025, Ricky Cohete
RECOLLECTIONS OF A MARY-ANN
INTRODUCTION
The writer of these notes was walking through Leicester Square one sunny afternoon last November, when his attention was particularly taken by an effeminate, but very good-looking young fellow, who was walking in front of him, looking in shop-windows from time to time, and now and then looking round as if to attract my attention.
Dressed in tight-fitting clothes, which set off his Adonis-like figure to the best advantage, especially about what snobs call the fork of his trousers, where evidently he was favoured by nature by a very extraordinary development of the male appendages; he had small and elegant feet, set off by pretty patent leather boots, a fresh looking beardless face, with almost feminine features, auburn hair, and sparkling blue eyes, which spoke as plainly as possible to my senses, and told me that the handsome youth must indeed be one of the "Mary-Ann's" of London, who I had heard were often to be seen sauntering in the neighbourhood of Regent Street, or the Haymarket, on fine afternoons or evenings.
Presently the object of my curiosity almost halted and stood facing the writer as he took off his hat, and wiped his face with a beautiful white silk handkerchief.
That lump in his trousers had quite a fascinating effect upon me. Was it natural or made up by some artificial means? If real, what a size when excited; how I should like to handle such a manly jewel, etc. All this ran through my mind, and determined me to make his acquaintance, in order to unravel the real and naked truth; also, if possible, to glean what I could of his antecedents and mode of life, which I felt sure must be extraordinarily interesting.
When he moved on again I noticed that he turned down a little side street, and was looking in a picture shop. I followed him, and first making some observations about the scanty drapery on some of the actresses and other beauties whose photographs were exposed for sale, I asked him if he would take a glass of wine.
He appeared to comprehend that there was business in my proposal, but seemed very diffident about drinking in any public place.
"Well," I said, "would you mind if we take a cab to my chambers—I live in the Cornwall Mansions, close to Baker Street Station—have a cigar and a chat with me, as I see you are evidently a fast young chap, and can put me up to a thing or two?"
"All right. Put your thing up, I suppose you mean. Why do you seem so afraid to say what you want?" he replied with a most meaning look.
"I'm not at all delicate; but wish to keep myself out of trouble. Who can tell who hears you out in the streets?" I said, hailing a cab. "I don't like to be seen speaking to a young fellow in the street. We shall be all right in my own rooms."
It was just about my dinner hour when we reached my place, so I rang the bell, and ordered my old housekeeper to lay the table for two, and both of us did ample justice to a good rumpsteak and oyster sauce, topped up with a couple of bottles of champagne of an extra sec brand.
As soon as the cloth was removed, we settled ourselves comfortably over the fire with brandy and cigars, for it was a sharp, frosty day out.
"My boy, I hope you enjoyed your dinner?" I said, mixing a couple of good warm glasses of brandy hot, "but you have not favoured me with your name. Mine you could have seen by the little plate on my door, is Mr. Cambon."
"Saul, Jack Saul, sir, of Lisle Street, Leicester Square, and ready for a lark with a free gentleman at any time. What was it made you take a fancy to me? Did you observe any particularly interesting points about your humble servant?" as he slyly looked down towards the prominent part I have previously mentioned.
"You seem a fine figure, and so evidently well hung that I had quite a fancy to satisfy my curiosity about it. Is it real or made up for show?" I asked.
"As real as my face, sir, and a great deal prettier. Did you ever see a finer tosser in your life?" he replied, opening his trousers and exposing a tremendous prick, which was already in a half-standing state. "It's my only fortune, sir; but it really provides for all I want, and often introduces me to the best of society, ladies as well as gentlemen. There isn't a girl about Leicester Square but what would like to have me for her man, but I find it more to my interest not to waste my strength on women; the pederastic game pays so well, and is quite as enjoyable. I wouldn't have a woman unless well paid for it."
He was gently frigging himself as he spoke, and had a glorious stand by the time he had finished, so throwing the end of my cigar into the fire, I knelt down by his side to examine that fine plaything of his.
Opening his trousers more, I brought everything into full view—a priapus nearly ten inches long, very thick, and underhung by a most glorious pair of balls, which were surrounded and set off by quite a profusion of light auburn curls.
How I handled those appendages, the sack of which was drawn up so deliciously tight, which is a sure sign of strength, and that they have not been enervated by too excessive fucking or frigging. I hate to see balls hang loosely down, or even a fine prick with very small or scarcely any stones to it—these half-and-half tools are an abomination.
Gently frigging him, I tongued the ruby head for a minute or two, till he called out, "Hold, hold, sir, or you will get it in your mouth!"
This was not my game; I wanted to see him spend, so removing my lips, I pointed that splendid tool outwards over the hearthrug and frigged him quickly. Almost in a moment it came; first a single thick clot was ejected, like a stone from a volcano, then quite a jet of sperm went almost a yard high, and right into the fire, where it fizzled on the red-hot coals.
"By Jove, what a spend!" I exclaimed, "we will strip now, and have some better fun, Jack. I want to see you completely naked, my boy, as there is nothing so delightful as to see a fine young fellow when well formed and furnished in every respect. Will you suck me? That is what I like first; frigging you has only given me half a cockstand at present."
"You must be generous if I do, or you will not get me to come and see you here again," he answered with a smile, which had almost a girlish sweetness of expression.
We were soon stripped to the buff, and having locked the door, I sat down with my beautiful youth on my knee, we kissed each other, and he thrust his tongue most wantonly into my mouth, as my hands fairly travelled all over his body; but that glorious prick of his claimed most attention, and I soon had it again in a fine state of erection.
"Now kneel down and gamahuche me," I said, "whilst I can frig your lovely prick with my foot."
Seemingly to enter thoroughly into the spirit of the thing, he was on his knees in a moment, between my legs, and began to fondle my still rather limp pego most deliciously, taking the head fully into his voluptuously warm mouth, and rolling his tongue round the prepuce in the most lascivious manner it is possible to imagine.
I stiffened up at once under such exciting tittillations, which seemed to have a like effect upon his prick, which I could feel with my toes to be as hard as a rolling-pin, as my foot gently frigged and rolled it on his bended thigh, and he soon spent over my sole as it gently continued the exciting friction.
I now gave myself more and more to his gamahuching, now and then seizing his head with both hands, and raising his face to mine, we indulged in luscious love kisses, which prolonged my pleasure almost indefinitely. At last I allowed him to bring me to a crisis, and he swallowed every drop of my spendings with evident relish.
After resting awhile, and taking a little more stimulant, I asked him how he had come to acquire such a decided taste for gamahuching, to do it so deliciously as he did.
"That would be too long a tale to go into now," he replied. "Some other day, if you like to make it worth my while, I will give you the whole history."
"Could you write it out, or give me an outline so that I might put it into the shape of a tale?"
"Certainly; but it would take me so much time that you would have to make me a present of at least twenty pounds. It would take during three or four weeks several hours a day."
"I don't mind a fiver a week if you give me a fair lot, say thirty or forty pages of note-paper a week, tolerably well written," I replied.
And the arrangement was made for him to compile me "The Recollections of a Mary-Ann," which I suggested ought to be the title, although he seemed not at all to like the name as applied to himself, saying that that was what the low girls of his neighbourhood called him if they wished to insult him, however, he said at last, "the four fivers will make up for that."
"Now," he added, "I suppose you would like me to put it up for you, or rather into myself. But can you lend me such a thing as a birch? You are not so young as I am, and want something to stimulate you; besides, I want you to do it well, as I fancy that moderate sized cock of yours immensely. Do you know that I am sure I like a nice man to fuck me as much as ever a woman could?"
The birch was produced, and he insisted upon tying me down over the easy chair, so that I could not flinch or get away from the application of the rod.
He began very steadily, and with light stinging cuts which soon made me aware that I had a rather accomplished young schoolmaster to deal with my posteriors, which began to tingle most pleasantly after a few strokes. The sting of each cut was sharp, but the warm, burning rush of blood to the parts had such an exciting effect that, although I fairly writhed and wriggled under each stroke, I was rapidly getting into a most delicious state of excitement.
The light tips of the birch seemed to search out each tender spot, twining round my buttocks and thighs, touching up both shaft and balls, as well as wealing my ham, till I was most rampantly erect, and cried out for him to let me have him at once.
"Not yet; not yet, you bugger. You want to get into my arse, do you? I'll teach you to fuck arseholes, my boy!" he exclaimed, chuckling over my mingled pain and excitement.
"How do you like that—and that—and that—and that?" The last stroke was so painful that it almost took my breath away, and I knew he had fairly drawn blood.
I was furious, my prick felt red-hot, almost ready to burst, when he unloosed my hands and ancles.
I seized him in a perfect fury of lust. His prick was also standing like a bar of iron; he had got so excited by my flagellation. He was turned round, and made to kneel upon the chair at once, presenting his bottom to my attack. No one to look at it would have thought the pinky and wrinkled little hole had ever been much used, except for the necessary offices of nature. The sight was perfectly maddening; it looked so delicious.
As I stopped for a moment to lubricate the head of my prick with saliva, he put his fingers in his mouth, and then wetted the little hole himself, to make it as easy as possible for me.
Coming to the charge, I found him delightfully tight, but I got in slowly as he helped me as much as possible by directing the head of my cock with his hand, whilst I had him round the waist and handled that beautiful tool of his, which added immensely to my pleasure. At last I felt fairly in, but did not want to spend too soon, so only moved very slowly, enjoying the sense of possession and the delicious pressures which he evidently so well knew how to apply.
My frigging soon brought him to a spend, and catching it all in my hands, I rubbed the creamy essence of life up and down his prick and over his balls, and even on my own cock as it drew in and out of his bottom.
My delight was perfectly indescribable. I drew it out so long, always stopping for a little when the spending crisis seemed imminent, but at last his writhings and pressures had such an irresistible effect that I could no longer restrain the flood of sperm I had tried so long to keep back, and feeling it shoot from me in a red-hot stream, the agonizing delight made both of us give vent to perfect howls of extasy.
We both nearly fainted, but my instrument was so hard and inflamed that it was a long time before it in the least began to abate its stiffness.
It was still in his bottom, revelling in the well-lubricated hole, and he would fain have worked me up to the very crisis again, but I was afraid of exhausting myself too much at one time, so gradually allowed Mr. Pego to assume his normal size, and slip out of that delicious orifice which had given me such pleasure.
A week after this first introduction Jack came again, and brought the first instalment of his rough notes, from which this MS. is compiled.
Of course at each visit we had a delicious turn at bottom-fucking, but as the recital of the same kind of thing over and over again is likely to pall upon my readers, I shall omit a repetition of our numerous orgies of lust, all very similar to the foregoing, and content myself by a simple recital of his adventures.
Jack Saul, "The Sins of the Cities of the Plain; or, The Recollections of a Mary-Ann" by Jack Saul is a work of pornographic literature published in 1881. It purports to be the memoirs of Jack Saul, a young male sex worker working in Victorian London. The narrative follows Saul as he recounts his life story and experiences to a gentleman named Mr. Chambon. The book includes encounters with real historical figures, including the notorious transvestites of Boulton and Park, blending possible authentic details with elaborated fiction in this early example of exclusively homosexual erotica. Source. Project Gutenberg
Boot Ritual 1, 20x30in, 2026, Ricky Cohete
To A.J.
White, blonde-haired boy
with ocean blue eyes –
you stumbled into my heart
[blood rushing my veins]
Your playful grin makes me
hot and bothered.
I keep replaying our casual
encounters at work,
[You blue-eyed soul]
the way your barrel chest
and broad shoulders mosey
through the kitchen corridors
[heart thumps harder]
The tiny sway your head
tilts towards me as we talk
delightful déjà vu,
I never want this to end.
[pupils enlarge]
Your mischievous flirting
and crass jokes with me
[even though you’re a married straight man]
makes me fantasize about
us together –
Now I’m hard and embarrassed,
I still love that twinkle
in your eye…
[lips part].
At The Beach
I see silk skies and
cotton pillows aloft
scorching sunbeams –
I smile ear-to-ear while
crystals glint in waves,
And a sylphs’
breath grazing his tongue
along my arms –
I smell the sunscreen on my cheeks – it’s
bouquet like
shea butter, oil and sweet licorice
lick my nose,
but when I see the pearl of lake water
beading down my cousins’ hairy chest,
…I can’t look away.
Travis J. Black is a gay writer, poet and visual artist living in metro-Detroit, MI. He often explores themes that reflect the artful balance and intersectionality of queerness, longing, existential awareness and the more subversive and darker aspects of nature and the human condition. He is currently working on new ways to articulate his inner existential dread by creating collage and digital artworks. His cat, Boris, doesn't seem to mind his aimless ranting either. You can follow him on IG @travisjblack.
From the series “A Body Remains”, Digital photography Year: 2025, Photography by Mr. Burris.
From the series “A Body Remains”, Digital photography Year: 2025, Photography by Mr. Burris.
Bitter the Juice
kissed by the sun
whose touch
is a memory of a memory of moans
in a bedroom’s summer heat
the cute laughs
that led him desperately to your bed
where you spread your glory cleansed & amp;
lotioned ready to invoke the gods work
of great power to leave you
exhausted and bound
on his tongue slick that the ancestors would never approve,
cut off from the rivers of magic they provided
leaving you
a desert with only the wind
of a ceiling fan blowing between your legs—hot and dry
excepting the wet spot you lay in & amp; his bitter juice
on your lips
My Loves are Rivers
--a Jaime y Neil
my loves you are rivers
overflowing, diverging, collapsing into
my mouth
across my naked body
you spell your names
in elaborate breathes
you love in me
the way light hits
the eye im blurry
with your love, I go
blind and fumble in the dark
in your open mouth
i conduct cacophonies that become
the revolutions of civilizations
you and you and I make
like there is no
distance we can't cross
when there is no distance between our legs
Johnathan Lay is a Southern writer living in New York City. His poetry explores ideas of race, sexuality, and their intersections. He is a graduate of Georgia College and State University and received his MFA from University of San Francisco. He’s been published in the anthology Not Just Another Pretty Face, Counterclock, Heard/Word, Mudroom Magazine, and others. He’s an avid reader and stan of Marvel comics especially the X-men. And he’s always on the lookout for the perfect margarita.
The Flesh Movement Project 6, 208 × 117 cm, Medium: Digital drawing (archival pigment print), 2026, Rufus Krieger.
Year: 2026.
Daddy’s spit
I order a vial of your spit. Saliva isn’t one of my kinks, but another order is a sure way to get
your attention.
“On it man,” plus a winky face.
My body shakes as I reply “thanks Sir.”
“Good boy.”
I exit the page and shut my laptop. Yes, I’m Daddy’s good boy.
Tadgh Dolan is a queer writer based in Dublin. His short stories were published in Ragaire Literary Magazine and The Storms. He was shortlisted for the Write By The Sea Writing Competition, 2024 in the memoir category. In 2025, he was the recipient of the John Hewitt Summer School bursary. Instagram link: https://www.instagram.com/tadghdolan
BLACK AND RED NUDE-VI, 40x30cm, Colored pencils, acrylic and gouache on toned paper.2021, Manolo Yanes.
CAECUS AMOR, I, 50x70cm, Acrylic on gessoed thick cardboard, 2014-2015, Manolo Yanes
First Taste
The room was silent,
Just our ragged breath
The taste of our lips together
Breathing hard, anticipating
My tongue finds his chest
Tracing the map of his ribs
Where his heart pounds waiting
I am hungry for the taste of him
He arches against my tongue,
His fingers caressing my head
Holding me down
Pulling my mouth onto him
I surrendered to the hunger
Every beat pulses against my lips
A frantic drum signaling
I drown in him
I take him in deeper
An ocean claiming its depths
His hips thrusting to meet my kiss
When he finally breaks
When sweet release comes
I swallow every hot wave of him
Tasting the salt of his sweet climax
His groan vibrating against my throat
He looks at me with a hunger
Desire still burning in his eyes
Marking me as his man now
As the man who had taken everything
He gave me his all and begged for more
Mark Farrell is a fifty year old queer man from Dublin, Ireland. He has recently taken up writing poetry and has never been published before. This is his first time being brave enough to submit his work.
Where is the Space Between Us?
His voice is like a caress when he says, “Pucker your lips.” We’re in a brightly-lit practice room
filled with black plastic chairs, dominated by a black baby grand piano which I love to touch
because it’s so hard and stabilizing as I sing, working from vocal warm-ups through to whatever
song is on our agenda. He sits at the piano and I stand. The softness of his adjustments as he
makes one perfect suggestion after another could be a kiss at the nape of my neck.
He is more than half my age: lanky, blond, effusive, charismatic, unostentatiously handsome and
he guides me through the wilds of voice lessons, of the right amount of breath, of posture, of
legato, of having a foundation, of thinking in images: “Your mouth inside is like a dome, you
want that space.” Oh yes my mouth inside…. Puckering helps me turn a long “u” vowel of a
German word into something softer, rounder.
We are somehow in sync as teacher and student, bonded as if we had always met at this place of
fusion and opposite poles. His advice can sometimes dazzle me because he reaches deep inside,
knows when I am overthinking, knows my mind as well as I do, knows how to tweak a word or
phrase for me, and when we laugh it’s as satisfying as any sex I have ever had. He studies my
lips, my tongue, how relaxed my jaw is—or isn’t—and I feel penetrated, seen.
Bjorn Hansen (he/him) is the queer son of wildly multilingual parents and wishes he spoke more than three languages. He grew up in New York but got over it.
Deluge As Sacrament
There’s a mouthy one and a quiet one who follows the mouthy one’s lead. The two
mouth off to each other crossing the street, over drinks, sharing a cigarette as the quiet one
produces an empty pack he expects the mouthy one to make up for.
Maybe the quiet one’s not quiet. Maybe he wants the other’s mouth to pour into him all
the beauty he could never find in himself. The mouthy one shoots firework sparks tracing the
walls of John’s abdomen that slick down further than he’d like to admit.
They spar like no one’s watching, dancing in time to their tongues. John treats David like
a king, which means John might have to admit some day who he is to him and how he likes the
light glinting off David’s teeth—the way his cheek crooks like fresh growth in spring. But John
doesn’t think of such beautiful things or that he might be the cause of them. Not how that mouth
might feel against something inside that grows too deep for him to swim in—deeper than the
river that cuts through the city and gets lost in the sea.
He doesn’t want to get lost but he is, each glance a drink that burns his belly like a shot to
cap off the night. If he follows his feet, he’ll end up face in a zipper, and he wonders if that
could fill his emptiness. Sweat and spit pool on his pillow as he wakes next to David, sharing a
bed out of necessity not pleasure. 3AM, so he takes a piss and returns to watch his friend in the
LED glow, a moon waiting for his sun to rise, for his face to reflect all the light in the world.
John decides to kill this life at 22 when his uncle offers him a spot in a mechanic program
away from “that no good Gage boy.” This means moving to Jersey and leaving David behind at
their dead end pizza joint job. He keeps this quiet until the weekend before when David finds out
and grabs a handful of John’s apron underneath the stock room’s single bulb.
Next thing David’s teeth are in his mouth, lips pressed against his like hammer against
nail. His own hands reply instinctually, palming David’s cheeks as his mouth yields. He wants
David’s heat inside him. He wants him to warm the air he breathes and lift his heart to live at the
base of his throat. This is what he’s always wanted as David presses his face so close into his he
thinks they might merge into one.
And they try. The impossibility of it does not stop them from trying, and when the
impossible fails, David withdraws, pushing John away and leaving him in the past.
Twenty years pass before the pair speak again. When they do, they chat about David’s
ex-wife and Air Force career before shouting at each other on John’s back porch.
“I loved you, Johnny,” David shoves his finger into the air between them. “And that
wasn’t enough for you. Is this enough for you now?” He gestures to the empty house, air stale
from divorce and complacency. John doesn’t respond, instead turning on the light to the porch
and pulling at the hem of his worn cotton undershirt.
“I want to show you something,” John says, tossing the shirt on a chair and pointing to a
date tattooed over his heart. “Any time someone asks what this means, I say it’s the date I started
my life. Really, it’s that Friday you decided never to speak to me again. The day you died to
me.”
“The day I died to you?” David manages, his eyelids fluttering.
“Why are you here, David?” John asks expectantly as David draws near. There’s no
anger. Even if they could summon what they felt so long ago, that would slip away in favor of
the river of apology that moves between their lips. They feed each other with each breath, filling
the empty space with a warmth they’d abandoned back when they didn’t know how to tend to it.
John stumbles through the backdoor before the neighbors can glance over at the porch to
see David sucking at the stubble on his throat. He kicks the door closed behind them and falls
through the kitchen, bumping his back into the counter as David drags his mouth eagerly across
the layer of sweat left from the workday.
“I should really shower,” he resists, hands half-heartedly restraining David’s hips from
grinding against his. David inhales John’s scent to shut him up. His hands are solid against the
counter on either side of John’s waist, while John watches a flush bleed down his neck. He
remembers eyeing that flush for the first time at 15 after sneaking sips from the liquor cabinet,
wondering if the rest of David’s skin stained the same color. A moment passes before he
remembers he no longer has to rely on his imagination to know how David’s bare chest would
feel against his. His hands pull at the hem of his shirt, and David obeys, removing his top and
balling up the fabric. John wraps his arms around David’s back as he pulls their chests together,
pressing a kiss into David’s pink neck, but he can’t give himself permission to collapse into the
moment.
“The blinds,” he freezes, looking out the window above the sink. Without a word, David
draws the curtains then unfastens his jeans, shoving them to the kitchen tile. He stands there
undressed to his socks and the cotton straining against his cock. John wills himself to settle into
what David is offering him.
“I’ve always wanted to do something,” David admits as he palms the bulge in his briefs,
and the truth dawns on John for the first time.
He wants me.
“What is it?” John asks blankly as David settles against the sink, feeling the air soak up
every desperate breath between them. David’s eyes flicker to the floor then back to John’s face,
and he understands the command, kneeling in his work pants in the hopes he can bury David
inside him. He looks up at David from below, begging silently for permission to rest his face
between his thighs and let David do whatever he wants to him. John watches him smile from
above, haloed by the lamp above the sink, knowing he’s always wanted to submit to David’s
appetite.
“Let me piss in your mouth,” he presses his thumb and forefinger against John’s chin to
coax him, but John needs no convincing. He’s opened himself wide for whatever David wants to
give him, and David wastes no time removing his briefs, taking himself in hand, and tapping
himself on the tip of John’s tongue. He looks up into David’s eyes, sure this is exactly where
he’s supposed to be.
There’s a pressure in his throat as though he could choke on the sweetness spooling
inside him, and then David lets himself go—warmth spraying into his mouth before he presses
his lips around him as easy as downing a beer. He swallows what he can as David’s piss coats his
insides, and he wonders how they never managed to do anything, to get anywhere so long ago in
that shared apartment.
It’s not enough to be full of David, he thinks. I need to be covered in him.
So he removes himself from David’s cock and tilts his head back, allowing the stream to
pour down his chest. With the utmost reverence, he smears the warmth across his skin, over his
tattoo, onto his stomach where he unclasps his blue cargo pants and shoves a hand inside his
boxers to address the thick heat unraveling from what he’s denied himself.
It’s not enough, he thinks again, pressing his eyes closed and bowing his head so that he
can baptise himself into this new life David’s offering him. And when he’s properly soaking, he
returns his mouth to David’s cock, hollowing out his cheeks as he drinks. He can’t possibly
swallow everything, so he presses his lips together to allow what hasn’t been swallowed to leak
onto the polyurethane mat beneath them. He pants, catching his breath before returning his
mouth to the tip and running his tongue across David’s flesh to where he holds himself at the
base. With his free hand, he clutches David’s right hip before taking him in his mouth again,
intent on learning how every drop of him tastes.
“Fuck, baby,” David moans, and the words pour John over the edge through frantic
strokes. The answer to a question he asked long ago spills out of him into his hand.
If David was everything, then what was he?
His baby, he gasps through the bright pleasure bursting like a lit fuse sparking its
payload, and the phrase repeats as he rides the wave tearing through him. His baby. His baby.
His baby.
C. Show (they/them) is a Central Arkansan author whose work has been published in wildscape. literary, The New River Journal, and Navy Pen. Their hybrid chapbook GESTALT has been published by new words {press}; find out more about them on Instagram at @_cshow_
Boy on field, 20x30in, 2026, Ricky Cohete